Showing posts with label experiment. Show all posts
Showing posts with label experiment. Show all posts

Tuesday, February 4, 2014

Long Exposure Experimentation

Recently, my father and I went to a social night held by the Art Society of Trinidad and Tobago. On the way back home, having brought the camera along, we decided to stop at the lookout on the Lady Young Road to capture some shots of the Port of Spain skyline.

Starting off with a regular long exposure, I tried to capture all of the light pollution from the city creating the soft glow against the night sky.



Then getting a tad bit more creative thanks to my dad, we decided to try out some light painting with the city lights. Zooming and panning on the tripod head created some interesting effects. Regular long exposures are overrated.

Entering hyperspace sir!

Warp speed Scotty!

I like this one the most. No editing whatsoever. This shot has an artsy feel about it, and it makes me feel good.




Now, a few days later, we were at it again. This time we had gone into Port of Spain a little earlier, so with the sun having just set, I tried to get some mist effects off the water.


Needs more waves.

Unfortunately, the waves in the Gulf of Paria were far too tame to get the required effect, so I'll have to pay a visit to the East coast to capture a "misty" sunrise sometime soon.

Later that night, we headed to Chaguaramas to try out some more shots of the sunset afterglow, but the scene provided something a bit more spectacular. Off the coast were a few ships and an oil rig, all with their lights ablaze in the evening twilight. Having tried a two minute exposure at f4, the lighting effects were reason enough to continue shooting. After this little excursion, I wished that I had produced these photos before the exhibition of the photography club at my school. These would have made interesting submissions under the category of light.

There's always next time.

This bears the fruit of my labour that second night.

Wednesday, May 18, 2011

Photography

In spite of the horrendous overload of work from all subject areas from as far back as the last two weeks and continuing in the present with increasing intensity, I have managed to get a little time to post something.

I do not like to be rushed.

I despise the behaviours of people who give unreasonable deadlines because they think that you only have their subject to do for CXC, when in reality, you have at least seven more.

Anyway, this is not an avenue for venting my growing discontent.

Why did I have to pick 9 subjects for C.S.E.C?
Especially Technical Drawing? Why?

A while back, I posted some tips about photography.

I've now become intrigued by textural photography.
There's so much potential in this kind of photography.

The possibilities for abstraction are endless...



Green
Some nice wood grain










Can you guess what this is?




The infinite possibilities















































EDIT (04/02/2014): These photos were all taken with a Nikon Coolpix P3. I had not yet had the pleasure of owning my D5100.


Very soon I'll be posting the pictures of the still lifes we have recently started.

One is in chalk pastel and the other is in acrylic paint.


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