The Human Figure Drawing

Since my last post, we have begun an aggressive study of the human figure.

Every class so far has either been about our discussions for a secret project in late October of this year.....

Or we have been drawing contour and stick figures of each other to attain a better understanding of the human body and to firsthandly experience the power of proportion!!

Here are a few pics of what we've been up to:

A fancy pose by Mrs. Tappin - Davis

A drawing of Duane drawing

All of these were done in charcoal stick in literally under a minute each.

We are working on speed drills...trying to capture as much of the essence of the person and their personality as quickly as possible.

The next stage will be to start putting flesh on these figures...and precious details.

HOUSE

I am a passionate photorealist. I cannot fully appreciate pieces that lack detail unless they vividly depict a deeper, alternate meaning than what is presented at face value. I strive with all of my being to include as much detail as possible into all of my pieces. The full effect of photorealism is achieved through the application of high contrast, painstaking shadowing and the inclusion of as many details as possible.

In portrait work, it is even more important to pay attention to these principles in order to create an impressive replica of the subject in portrait.

However, one must also pay rapt attention to the details of the layout of the face and the person's features. Accuracy in this department will aid in ensuring that the portrait looks just like the person.

A fellow blogger, Portia Subran (a.k.a. DeadEyes), has experience in developing portraits.

You can find her at The Art of Wisdom and War

Anyway, its my turn to show 'off' my portraits too.

It's been a while since I've done a proper portrait. 

Not counting the one I've just completed, the last portrait I created was completed on the first of September last year.

Wow....it's been a while.

Personally, I think that I have definitely improved upon my techniques and my rendering capabilities but I definitely have to continue working hard at improving my accuracy and proportion mapping.

The following picture shows the first portrait I EVER completed:

A 'failed' portrait of Dr. House  

 

House M.D. (Portrait 1), Graphite on paper: 14" X 17".
I definitely have improved since then.

If you take a close look at the portrait, I signed this piece over a year ago.

Since then, things have changed.

My ability to achieve shadowing has improved and I am proud of what I am able to achieve nowadays in my artistic studies and exploration of expression.

I was heavily advised to stop doing portraits of these famous people, so I thought I would let them go out with a bang.

One year later, I decided to take Dr. House for a spin again...

 

I definitely am proud of my improvements, but I leave the verdict up to my readers to tell me where I have to continue the physical practice and research necessary to become a better portrait artist.

Simply more than a year has helped me improve my techniques to a level beyond my own expectations.

On the 22nd April, 2011 This is how the NEW House M.D stands:

House M.D. (Portrait 2), Graphite on paper: 17" X 22".
Improvements galore.

So concludes another vacation in the life of a dedicated student and a very tired human being. The trials of academics and art help make me stronger at least, so there is some good that comes out of hard work.....

This is my last portrait of an internationally famed person who is not locally based.

In the future, I may post some pictures of my previous portraits which include the likes of Queen Latifah, The Joker, Taylor Swift, and last (but not least) Ellen DeGeneres.

Due to my return to the hectic life on Tuesday, my posts may start to dwindle in frequency, but I will try to update as best as I can.

Canvas Caribbean "With an Open Mind"

I was recently invited to attend the private viewing of Canvas Caribbean's latest exhibit, “With an Open Mind”. This prestigous exhibit was being held at the Gallery at Fine Art, Woodbrook. 

 

To be brutally honest, I was quite disappointed with the gallery itself. Every exhibition I have attended in the past boasted a beautiful, visually enticing gallery which pulls you inside to view the pieces with even more interest.

This was not the case with the Gallery at Fine Art. The building seemed like an ordinary, outdated Port-of-Spain commercial building constructed in the bygone era of boxy shapes and semi-curved walls.

However, despite my dissatisfaction with the architectural design of the building, I must say that I was impressed by the quality of most of the pieces exhibited.

Upon entering through the glass entrance of the gallery, an immediate feeling of excitement, competition, chaos and sheer madness could be felt emanating from the already energized patrons.

Due to my late arrival, I unfortunately missed out on an inspiring speech by the passionate Pat Bishop. However, her strong presence was still felt even without hearing her words personally.

This exhibition boasted a total of 82 pieces from 13 different artists.

I am proud to say that one of these artists is my very own art teacher,

Mrs. Michelle Tappin-Davis.

The walls of this 'institution' were also enlivened with works by talented artists such as Reita Antoine, Raymond Alexander, Camille Harding, Kathy Farabi, Carol Lewis, Vibert Medford, Darron Small, Shalini Singh, Antonio Weekes, Adele Bynoe, Anderson Dyett and Leona Fabien.

I didn't like Cheryl Davis' work at this exhibition. She depicted the bare upper female body in minutely different positions for each of her four paintings. The only difference to my eyes among these 'paintings' was the colour used on each. The 'paintings' were simply line drawings of the breast region lying on a separately coloured background. Highly repetitive and to my diagnosis, uncreative.

That's me carefully examining someone's work.

As compared to the Art Society's November Exhibition last year, the prices seemed more reasonable at this exhibit and more friendly to the buyer. 

Also, I saw a repeat display of a few paintings offered at the Art Society's exhibition last year.

I am very confident that any buyer attending this show will find himself impaled on the sharp horns of a dilemma due to the vast quantity of high quality artworks being presented.

Some of the intriguing pieces by Darron Small.

The print entitled 'Father and Son' done by none other than Michelle Tappin.

Raymond Alexander's simple 'Honey Bees and Portugals'.

There was a diverse showing of talent at this exhibition. The common ground of painting was present, but there were also displays of three-dimensional work and many different techniques used to create two-dimensional art.

My eyes caught sight of scarves done in batik, decorated bangles created by methods I cannot fathom, a solitary desk called 'Table of Life' and the vast quantity of appealing 2-D media.

My favourite artist of the night was Darron Small. His realistic pieces echoed volumes of historical tragedy through the beautiful manipulation of light and shadows to achieve a sense of danger, drama and suspense.

Here are some of the other impacting pieces of the exhibit:

More pieces by Michelle Tappin.

My father and myself enjoying the show.

Vibert Medford's creative photography.

The remarkable style of Reita Antoine.

The Gallery at Fine Art is located at the corner of Rosalino and Warren Streets, Woodbrook.

The Canvas Caribbean 'With an Open Mind' exhibition is well worth a little time out of your hectic lifestyle and is a beautiful way to relax and relieve yourself from the burdens of modern life.

I think you should pay a visit to this event.

I recommend this exhibition to anyone who appreciates art.